ニコラス・ウィンディング・レフンとサソリとカエルと映画『ドライヴ

coccodack2012-02-29

作品資料より抜粋なんだとしたらとんでもないよと
ニコラス・ウィンディング・レフン *1を新鋭扱い
新鋭なら審査員特別グランプリかカメラドールだろうが！
クリストファー・ボ*2とかﾆ使えよと酔った勢いで
そのまま使われる残念状態蔓延のなかの"俊英"ﾁｮｲｽ
相変わらず短い映画紹介も気を抜かないmen’s FUDGE
4月号153ページが魅せる配給会社無視の毒針注入
クールなカー・アクションとストーリーで魅せる
全男子必見のクライム・サスペンス・ムービー
あとはもう中村達也オグリの新連載だけよとmen’s FUDGE
置いてあるから以上に読みたくなる装苑では金原由佳紹介
いつも読みやすくて装苑層との相性はわからｽﾞﾓ支持
僕の映画に出てくるキャラクターはメタフィジカル的で、
なぜそこに存在するのか、
なぜそういう行動をとるのかを追求し、
ある種、
映画の神話を生きている人物ともいえる。
4月号140ページが目に留まるNorifumi Fukuda写真
お怒りはマッツ層の方々に任せておけばと映画Drive
全作品置いている身からも爽快！！とひとりごちる映画と
「ごついグラサン掛けたキャバ嬢が犬散歩してて」の笑い飯哲夫的も
監督作ランキングでも永遠の一位には届かぬまでも追いすがるレベル
まずはThe Scorpion and the Frogエピソードあたりも
You know the story about the scorpion and the frog?
Your friend Nino didn't make it across the river.*3
原作小説にはなかった台詞をパラリとレフン
川岸にたたずむ一匹のサソリがいる
サソリは川の向こう側に渡りたいと思っている
ただ、サソリには泳ぐことが出来ない
そこでサソリはたまたまそこにいたカエルに頼む
自分を背中に乗せて運んでほしいと
カエルは警戒する
君は僕の背中をその尻尾の針で刺すだろう？
サソリは答える
そんなことするものか.君が途中で死んだら俺も溺れてしまう
カエルはその言葉を信じた
親切にもサソリを乗せて向こう岸へ渡り始める
しかし途中でサソリはカエルを刺す
カエルは叫ぶ
君は刺さないって言ったじゃないか！！
サソリは答える
仕方ないだろ.忘れたのか？俺はサソリなんだぞ.

和田監督が短編銀熊賞＝ダビアーニ兄弟に最高の金熊賞−ベルリン映画祭

Nine films are nominated for Best Picture at the Academy Awards this year, begging the question: who deserved a tenth spot on that list? Oscars 2012: 10 Spot answers that question, as the MTV Movies team highlights some of 2011's greatest films and argues why they deserved a nod as the tenth Best Picture nominee.

I dare you to name a more visceral movie-going experience from 2011 than the gritty, gripping "Drive." Nicholas Winding Refn's taut drama outpaced a slow and steady field of contenders, taking audiences on a white-knuckle ride they won't soon forget. And how did the Academy choose to recognize this well-oiled movie machine? With a nomination for Best Achievement in Sound Editing. Clearly deserved, but falling miles short of the numerous noms it should have earned. (I mean, how did that scorpion jacket not cinch up a Costume Design nomination?) But I digress, because the category we're here to discuss is the coveted 10 Spot in the Best Picture race.

To be sure, "Drive" would have been the most oddball nominee—what with its gratuitous violence, zippy car chases and pulsing synth soundtrack—in a race populated by heartfelt nostalgia pieces ("Hugo," "Midnight in Paris," "The Artist") and character-driven dramas ("The Descendants," "Moneyball"). But that certainly doesn't make it less worthy. If anything, its uniqueness should have been an asset.

Its cast must have known they were making something special too, because each gave performances worthy of their own Oscar statuettes. Ryan Gosling, all steely and stoic, didn't utter much dialogue, but he didn't need to—one meaningful glance or one crack of the knuckles conveyed everything we needed to know about his strong, silent Driver. Then there's Albert Brooks, known chiefly for his comedic roles, who took a turn for the serious in "Drive" and never looked back. I think we can all agree a Best Supporting Actor nomination should have been his for portraying villainous Bernie Rose.

"Drive" also looked (and sounded) like nothing else we saw this year. Eschewing the oft-treaded, glitzy streets of L.A., Refn opted for "real" locations (the Valley!), using Gosling as his real-life wheelman as he scouted locations. Throw in an unforgettable '80s-esque soundtrack (we're looking at you College!) and it all adds up to a film that blew our hair back and had us raring for more. Unfortunately, it seems the Academy viewed "Drive" not as the slick hot rod it was, but as the little engine that couldn't.

The MTV Movies team has the 2012 Oscars covered! Stick with us for everything you need to know leading up to the awards show, and on Sunday, February 26, tune into MTV.com at 5:30 p.m. ET for our three-hour red-carpet live stream and updates on the night's big winners.

The Drive Movie Trailer 2011 Official Ryan Gosling

映画『ドライヴ』予告編

the frog and the scorpion.